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Angel is 4.25 in. x 1.75 in. x 5 in. high. When placed on the black post, the overall height of stand and angel is 9 in. high. This statue reproduction of Angel in Flight Wearing a Green Cloak is taken from Raphael's famous altarpiece painting, "The Mond Crucifixion", located in the side chapel in S. Domenico in Citta di Castello. The Angel in Green appears at the left side of Christ on the cross and the Angel in Gold appears on the right side. They carry chalices to catch Christ's blood, such as are used for the wine of the Mass. As they flutter in flight, they offer a reminder of God's approval and the heavenly peace awaiting Christ. In this traditional representation of the Crucifixion, the Virgin and Saint John the Evangelist stand on either side of the cross, and the saints Jerome and Mary Magdalene kneel before it. The predella (not pictured) at the base of the altarpiece is painted with episodes from the life of Saint Jerome, to whom the altar is dedicated. These Angel Statues, Cherubs , Nativity Scene Action Figures, and Annuncation spritual accessories from Renaissance masters Leonardo Da Vinci, Raphael and more are lovely spiritual sculpture adaptations. We here at Museum Wholesale pride ourselves on offering these fine historical art figures, collectibles, and adaptations for retailers in museum gift stores, tourist shops, fantasy comic book shops, and more that specialize in angelic statues, figurines, action figures, and novelty toys. These meticulously reproduced collectible historical art works are part of the 3D Mouseion Sculpture Collection made by Parastone, a renown European collectible manufacturer. They have a recognized name brand to the European audience and deserve our attention here in the USA.
ABOUT RENAISSANCE MASTER PAINTER, RAPHAEL SANTI: Born in Urbino, Raphael Santi became an apprentice of the famous Perugino at the age of 17. Perugino's school specialized in well organized peaceful compositions, devoid of any ornamental excess. In 1504 he moved to Florence, where at that time innovation in art was the subject of serious debate. Michelangelo was working there and Leonardo da Vinci had just been the center of attention with his Mona Lisa. Raphael studied all styles and techniques and also experimented with Leonardo's famous "sfumato". He largely remained faithful to the Perugino school in compositions, avoiding too much drama and seeking equilibrium. Pope Julius II first summoned Michelangelo, and shortly afterwards, in 1508, Raphael to Rome. The latter to decorate his apartments. This commission forced the painter to gather a flock of pupils around him at a young age. After a brief but very productive and successful life, he died on his 37th birthday on Good Friday 1520.
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