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  Home > Oriental and Buddhist Art > Bonded Stone Wall Plaques >

  White Tara Seated Relief, Decorative Bookend
  White Tara Seated Relief, Decorative Bookend, Museum Reproductions


 
  $46.00

Category: Oriental and Buddhist Art > Buddhist Statues
Size: 10"H (25cm)
Item Type: statue, decorative bookend
Material: bonded stone
Weight (lbs): 7.5 lbs, ship wt: 10 lbs, ship box: 19x13x7

Stock Status:In Stock
Availability:: Ships in 1 to 3 Business Days
Product Code: O-032S

Description
 
Tara's name means One Who Saves. She epitomizes the influence of the older mother-goddess cults upon the Buddhist Mahayana religion. Her concept evolved in India and later she became the most important goddess in the Mahayana pantheon. She holds a very prominent position in Tibet and Nepal. Tara was born from tears of the left eye of the Boddhisatwa of Compassion, Avolokiteswora. She was conceived primarily as a savioress and is, therefore, the female counterpart of Avolokiteswora. She is also generally regarded as his consort and is frequently portrayed with him. Tara is believed to protect the human beings while they are crossing the ocean of existence. Her compassion for living beings, her desire to save them from suffering, is said to be stronger than a mother's love for her children. Her most distinctive emblem is a full blown lotus which represents the day. White Tara has seven eyes. An eye of knowledge on the forehead and eyes incised on her palms and soles. She can be portrayed seated with her feet in the posture of meditation, standing or in a half dancing pose. Devotees invoke her for deliverance from the Eight Great Perils: shipwreck, fire, mad elephants, brigands, pouncing lions, serpents, prison and demons.

Almost all of our items come with a history card or string history card that provides background on the history, mythology, location and main characteristics of the ancient original.

Many items come boxed in elegant color gift boxes. We are progressively including more items in color boxes.


Museum Reproductions Information:

History of Art Reproductions: As far as we know, the history of art reproductions takes us back to Imperial Rome where bronze and marble reproductions of Greek masterpieces served as decoration for lavish Roman Villas and Gardens. The art of casting is thousands of years old: Terracotta’s, Bronzes and ancient glass were cast from molds. Closer to our time in the mid 18th century coinciding with the search for new artistic styles which took inspiration from the roots of classic art (neoclassicism) and the discovery of Herculaneum in 1738 and Pompeii in 1748, archaeological reproductions reappeared all over Europe. As a result of French expeditions to Egypt during the nineteenth century, a casting facility was set up next to the Louvre Museum where many important archaeological pieces from ancient Egypt were reproduced. Following the example of the Louvre, other leading European museums began to reproduce some of the masterpieces in their collections thus initiating a trend that continues until today.

Art Reproduction Craftsmanship: For the making of art reproductions, masterpieces have been chosen from the best museums all over the world, The Louvre, The British Museum, The National Museum of Athens, The Egyptian Museum Cairo, The New York Metropolitan Museum of Art. We only use materials and techniques that can achieve the best quality in reproducing original works of art to obtain very fine pieces, up to the last detail. Our sculptures are cast in a variety of mediums: Bonded Stone, Polyresins, and Bronze. The finish of each reproduction, is always hand-made and showing craftsmanship and historical sense, is the work of an artisan. It is the task to present to the people of today the legacy of those ancient civilizations with all the beauty and mystery of our ancestors again in front of our eyes and at the reach of our hands. There is several steps that must be taken before a museum reproduction sculpture can be made. Most of our items are original artworks created by our sculptors, carved out of clay, stone, or wood. Once the original is carved, a mold is made, usually out of silicon. Crushed stone in a liquid resin medium is poured into a silicon mold where it solidifies into a hard stone that reproduces all the detail and texture of the original. All the finishes are done by hand. Many finishes include color detailing, a labor intensive process where colors are applied with small brushes by our skilled artisans.


Museum Reproductions

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